American band – Pinehurst Kids Sat, 25 Sep 2021 07:48:00 +0000 en-US hourly 1 American band – Pinehurst Kids 32 32 Dedication of the marker and concert scheduled for September 25 – Neuse News Sat, 25 Sep 2021 07:48:00 +0000

A special part of Kinston history will be recognized on Saturday September 25. At 4 p.m. that day, the Kinston / Lenoir County African American Heritage Commission will unveil a marker commemorating the inscriptions Kinston had in The Negro Motorist Green Book. This book, compiled by Victor H. Green, provided a list of places African American travelers could go to eat, stay overnight, shop, and have their cars serviced and repaired.

The unveiling and unveiling of the marker will take place at the 400 block of South Queen Street at the African American Music Park. The Mayor of Kinston, Dontario Hardy, will welcome participants and Pastor Maurice Barnes of the White Rock Presbyterian Church will offer a prayer.

Councilor Sammy Aiken will introduce special guests and Geraldyne Barbour will tell the story of the Kinston / Lenoir County African American Heritage Commission. Lisa Withers will talk about the history of the marker project and the AACH’s local efforts to obtain and place the marker. Reverend Dorothy Gooding will introduce the members of AACH and Tina Bryant will deliver a closing thank you.

Following the ribbon-cutting ceremony, the Kinston Community Arts Council is sponsoring a free, open concert featuring Bill Myers and Dick Knight headlining. The concert is scheduled to start at 5:30 p.m. and last until 7:30 p.m.

Bill Myers and Dick Knight are no strangers to the Kinston-Lenoir County area.

Myers is a jazz musician and has led the group “The Monitors” for almost sixty years. In addition, he is a respected educator and civic leader. He is the Music Director of St. John AME Zion Church in Wilson.

Beginning as a young child playing the piano, Myers switched to drums in school, later switching to saxophone. He attended the State of Virginia and earned a Bachelor of Music degree. During his teenage years he performed in groups that performed in schools, bars, clubs and just about any place they could perform.

In 1957 he helped found his group, “The Monitors”, with Cleveland Flowe. Over the years, the group has been known throughout the region for their ability to play music for all occasions, although their main focus has been R&B, jazz, classical and even country and western.

Myers received a North Carolina Heritage Award in 2014 for his role as both a prolific musician and educator.

Dick Knight of Lenoir County is a professional multi-instrumental jazz, R&B, funk and soul musician who has performed with James Brown, Otis Redding, Dionne Warwick and Gladys Knight. He has taught and influenced countless students through his work as a conductor and music teacher in Florida and right here in Kinston.

Born and raised in Georgia, Knight attended Florida A&M University, where he majored in music and performed in the university’s famous marching band. He became the group principal at Savannah High School in Kinston after graduating from college at the age of 19. His first acquaintance with Kinston was Nat Jones, the musical director of James Brown. Jones quickly recruited Knight for the group. Passages with other popular recording artists quickly followed.

After retiring from teaching in 2007, Knight returned to performing. He loves Kinston and the freedom that retirement allows. He still trains every day and you can find him playing with “The Monitors” and his very own “Dick Knight Express”. He solo as Dick Knight the Captain, frequently playing cruise ships and waterfront businesses.

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Kings of Leon cancels concerts due to family “medical crisis” Fri, 24 Sep 2021 16:43:12 +0000

On Thursday (September 23), Kings of Leon canceled two of their upcoming concerts, including an appearance scheduled for September 24 at the Ohana festival hosted by Eddie Vedder in California, due to a “medical crisis” involving the mother of three. from the members of the rock group.

BettyAnn Murphy, mother of Kings of Leon singer Caleb Followill, drummer Nathan Followill and bassist Jared Followill, has fallen ill while touring the United States for the past two months. But she “took a bad turn” this week, forcing musicians to return home to see her “until the time came to say goodbye to her,” they explained. That meant Thursday’s concert in Mountain View, Calif., In addition to Friday’s one in Ohana, had to be dropped. The fate of their remaining dates – which are expected to continue until October – is currently unclear.

The band wrote: “Our mother, whom many of our fans know and love, has been facing a medical crisis for several weeks and although it has been difficult to take the stage every night, it is love and love. energy from you, our fans, it has helped us a lot. “

However, just before Kings of Leon’s performance at the Los Angeles Forum on Tuesday (September 21), the group “learned that she had taken a bad turn. A path we will never forget. Immediately after the show we have all returned home, where we will stay by her side until it is time to say goodbye. Our show tonight at the Shoreline Amphitheater and our appearance at the Ohana Festival this weekend are canceled but we I wanted to say thank you to all of our fans, to Eddie and the entire Pearl Jam family for their support. “

Kings of Leon – the three brothers and their cousin, guitarist Matthew Followill – were on the road to support their latest LP When you see yourself, which came into being in March. This is the group’s eighth studio effort following previous albums such as Mechanical bull (2013) and Only at night (2008).

Huge groups in Europe but not in America

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Intensify | News, Sports, Jobs Fri, 24 Sep 2021 05:09:46 +0000

-Photo by Jen Lane

Members of the Fort Dodge Senior High Marching Band rehearse during the Marching Band Camp earlier this summer. The FDSH will host the annual North Central Iowa Marching Band Competition at Dodger Stadium this Saturday.

Eight high school marching bands will compete for top honors at this year’s North Central Iowa Band Competition on Saturday at Dodger Stadium.

The NCI Marching Band competition is hosted by Fort Dodge Senior High each fall, inviting schools from across the region to compete.

“It’s a little smaller this year” said FDSH Group Director Al Paulson. “Next year we should be a little bigger, we’re just regrouping and coming back after a year of absence.

This will be the first competition of the year for the FDSH group.

In class 2A will be Aplington-Parkersburg and Carroll Kuemper. In class 3A will be Carroll, Estherville-Lincoln Central, Humboldt and Saydel. In class 4A will be Council Bluffs Lewis Central and FDSH.

-Photo by Jen Lane

Members of the Fort Dodge Senior High Marching Band rehearse during the Marching Band Camp earlier this summer. The FDSH will host the annual North Central Iowa Marching Band Competition at Dodger Stadium this Saturday.

The Iowa Central Community College Marching Band will also present an exhibit on Saturday evening.

“It’s exciting that the groups can come back and compete this year after a year of absence”, Paulson said. “The kids worked hard to create the program that we have right now. I’m excited about where we’re at – I think we’ll have the strongest group we’ve had since I’ve been here.

Groups will participate in clinics with the contest judges throughout the day at three venues – FDSH, Dodger Stadium and Fort Dodge Middle School. The groups will then return to perform at the stadium at 5 p.m.

The gates to Dodger Stadium will open at 4 p.m. Admission is $ 7 for kindergarten and more.

The Fort Dodge Senior High All-American Dodger Marching Band will feature clips from the musical “Red Mill.” On Saturday, the group will have their clinic from 10 a.m. to 11:30 a.m. at the stadium and their performance at 7 p.m.

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Friendswood bands win national awards Thu, 23 Sep 2021 13:53:44 +0000 The Music Departments at Friendswood Junior High and Friendswood High School celebrate the sound of music after both departments were honored by the Foundation for Music Education for the programs they performed in the 2020 school year- 21.

As part of the Class AA division of the Music Education Foundation for the College Harmony Orchestra, the Friendswood Junior High Wind Symphony has been named the recipient of the National Wind Band Mark of Excellence. The musical geniuses of conductor Thomas Landfried was one of 10 schools, all located in Texas, to receive the award.

A total of 236 high schools and colleges across the country took part in the 2020-21 competition.

Rick Yancey, executive director of the Foundation for Music Education, said it was remarkable that schools like the two Friendswood campuses were able to piece together beautiful music despite all the obstacles the pandemic presented.

Director: Awards that testify to dedication

“Despite the many COVID restrictions, many musical ensembles still put on incredible musical performances. These directors and their communities should be very proud of their outstanding accomplishments, ”Yancey said in an email.

“This achievement was won during what has arguably been the most difficult school year in recent history,” Landfried said on the school district’s website. “The Friendswood bands have had to deal with constantly changing rehearsal environments, limited rehearsal time, frequent absences, and through it all, the Friendswood bands have achieved something they didn’t have. never had. All FISD conductors are extremely proud of the work and dedication they have shown in these difficult times. They are a real testament that hard work and dedication will lead to success. “

A wind ensemble, also called a harmony orchestra, is a performing ensemble made up of members of the wind, brass and percussion groups.

The judges for the National Wind Band honors were: Timothy Rhea, director of orchestras at Texas A&M University; Kevin Sedatole, director of groups at Michigan State University; and Richard Floyd, State Director of Music Emeritus of the University Interscholastic League (UIL).

From now on, the Friendswood Junior High Wind Symphony will be recognized in regional and / or national publications and at national conferences.

In addition to the application fee of $ 350, Landfried’s entry had to have an accurate cut in order to eliminate applause and announcements from the audience. The volume had to be the same from track to track, and last but not least, the recordings had to be edited in such a way as to reduce the excess time between movements of multi-movement works.

Kudos to those who edited their winning work for accomplishing all of this and the judges loved what they heard.

The winning entry of the Friendswood High School Wind Ensemble in AAAAA class was conducted by Brett Nelson.

Another school in Friendswood, the Brookside Intermediate School at Clear Creek ISD, won the AA class. Its conductor is Andie Troutman.

What is good about this whole experience for our young musicians and their conductors is that all the teams receive a compilation recording of the national winners. This compilation is featured on the website and can be downloaded.

Friendswood and the Clear Brook bands prepare for the competition

But wait, there are more sweet sounds to come from the young musicians of Friendswood. The Friendswood High School band will compete in the Bands of America Marching Band Championship presented by Yamaha on Saturday October 2nd at Katy’s Legacy Stadium, 1830 Katyland Drive, Katy.

Tickets cost $ 36 for an adult day pass that gives fans a spot for the preliminaries and finals (daytime and evening sessions). Tickets can only be purchased online at T-shirts for the event can also be purchased from this website.

The Mighty Mustang Band will be one of 31 high school groups that will be evaluated by a panel of nationally recognized music educators and brass band experts. The groups with the 12 best scores will advance to the evening final competition.

Friendswood will enter the field at approximately 12:30 p.m. The group from Clear Creek High School will be on the grounds for their 15-minute show at 12:15 pm. Clear Brook’s band will perform at 10:30 am

The preliminary competition ends at 4:45 p.m., before the return of the first of the finalists to the field at 8 p.m.

On Sunday there will be a principal’s clinic and Friendswood will be participating in this along with 15 other schools.

Canceled last year due to the pandemic, the event will be one of Bands of America’s 22 regional championships. It all comes down to a “Super Bowl” for groups, which will be held November 11-13 in Indianapolis, Indiana.

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“Party Band of the South” will perform in Trussville on Friday evening Wed, 22 Sep 2021 21:44:08 +0000

by Scott Buttram, editor

TRUSSVILLE – The Swingin ‘Medallions formed their group in 1962 in Greenwood, South Carolina. By 1966, they had sold 1.5 million copies of their biggest single and were a hit on college campuses and southern theaters. On Friday, September 24, from 7:00 p.m. to 9:30 p.m., baby boomers of all ages can experience the Party Band of the South at Ferus Artisan Ales in the Trussville Entertainment District.

According to their website, their musical roots came from listening to early rhythm and blues acts. The music most often associated with the band is beach music, frat rock, R&B, or shggin ‘music. After a few years of touring colleges from the Carolinas to Bayou, Louisiana, John McElrath took the band to Arthur Smith’s studio in Charlotte, North Carolina, to record Double Shot (of My Baby’s Love).

The song hit a million sellers in 1966 and has been a party classic for college students for decades. She Drives Me Out Of My Mind and Hey, Hey, Baby were top 40 hits in 1966 and 1967, but “Double Shot” remains the Swingin ‘Medallions’ flagship song.

The membership of the Swingin ‘Medallions has changed over the past three decades. The group’s staff has always included around eight members with at least a four-piece brass section. The high-energy party-style stage performance of the early Medallions was passed on to the group performing today. Medallions’ present stage show gave them the name “The Party Band of the South”.

Many medallions attended and graduated from Lander University in Greenwood, SC, while performing in the Southeast. The University of Georgia was also the home of some of the group members.

The music of the Swingin ‘Medallions has been featured in countless movies and TV shows.

Lewis Grizzard (Southern comedian and writer) called the Medallions “The Party Band of the South”, a nickname that has become forever synonymous with the name Medallion. Grizzard wrote in a nationwide column: “Even today when I hear Double Shot of My Baby’s Love, it makes me want to stay outside in the scorching sun with a mug of milkshake full of beer in one hand and a college girl. slightly dipped in the other. “

Chicago Tribune columnist Bob Greene wrote an article titled The Swingin ‘Medallion View of US History. He summed up America’s love affair with “Double Shot” with his discovery of the song played and sold in the Smithsonian Institute gift shop. When asked why it was available in the largest history directory in the country, the clerk replied, “Because it’s as much a part of our history as anything we sell.”

You can watch the videos below as the band perform It’s Alright in the first video, and join Bruce Sprinsteen on stage for Double Shot.

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Olivia Rodrigo, Lil Nas X, BTS and more who made 2021 a weird year for music Wed, 22 Sep 2021 09:08:29 +0000

Every year for the past few years, I’ve compiled a Spotify playlist as a sort of music year snapshot. Obviously, regional artist releases are the priority, but I’m also trying to add some pop favorites, critical darlings, awesome indie stuff you might never have met and a few tributes to. great artists who died this year. Some years it’s easier than others. The year 2016, for example, which I called “The Year of the Death of Music” after the tragic deaths of Prince, David Bowie, Tom Petty, Leonard Cohen and others, had a very mournful atmosphere. , even though there was so much great music. And 2020 was pretty much the same, with the loss of Bill Withers, Neil Peart, Charlie Daniels and more, but there was also a weirdly cool DIY vibe as artists continued to release music from their forties. . There was a weirdly high musical sensation in 2019, with everyone from STL GLD to the Jonas Brothers to Gary Clark Jr. releasing an incredibly addicting torrent of music. Every year is a little different.

Which brings us to 2021, and so far… 2021 has been weird. Not that there haven’t been good things, especially at the regional level: the work of Annie Brobst, Jafet Muzic, Sapling and others has been in full swing. But on the national front… well… there were hits, sure, but a lot of what came out this year was either out of weird places or mainstream stuff, there was kind of a weird asterisk. above. If ever a year has clearly shown that the music industry is changing, this is it. That said, here are some pop quirks and quirky gems from the year so far.

“Racist, sexist boy”, by Linda Lindas: The live performance of this provocative rock ‘n’ roll track by the young Los Angeles girl punk group took the internet by surprise: the video went viral, and suddenly, a generation of young women having to cope to this junk had a new battle hymn. The recording is low fidelity the whole way, so the sound isn’t great, but it’s still a totally uplifting bunny punch of a song.

“Bon 4 u”, by Olivia Rodrigo: On the surface, it’s a pretty straightforward pop song: a teenage breakup hymn, with a cathartic kiss to an ex-boyfriend. It’s musical popcorn, and frankly, it’s a lot of fun. But the weirdness comes when Paramore’s Hayley Williams and Josh Farro were added as co-writers to “inspire” the song with their own song, “Misery Business”. The same thing actually happened with Taylor Swift on Rodrigo’s “Deja Vu” (which, under the circumstances, is rather ironic.) Do I think Rodrigo and the writers she works with are outright and simply highly visible artist materials? Not really, but it does prove that much of the pop-rock terrain is so well established that it might be difficult to come up with original sounds and ideas. Still, all things being equal, the song pretty much kicks off.

“Savage”, by Sam James: James admitted he was having just a little fun in his forties with his flips from hip-hop songs to country acoustic numbers, but the reaction on Instagram and TikTok has been phenomenal, and these days it’s translated into a real audience. James’ take on Megan Thee Stallion’s “Savage” is probably my favorite of the bunch. It’s a true one-song barn burner, taken with a light spirit but staying true to the grain and soul of the original. It’s a lot of fun, and a real look at where our popular music is increasingly emerging from, because god knows it’s not commercial radio.

“Butter”, by BTS: Earlier this year, my friend Jenna asked on Facebook, “Why didn’t anyone tell me K-Pop slaps?!? The truth is, the genre really produces some very addicting and catchy tunes, and little more than this one from South Korean boy group BTS. The song hit the Billboard charts and the video exploded on YouTube, breaking all kinds of records. There is nothing inherently weird about it all, as the song does, indeed, slap, but I also wonder the weird reaction to Fela Kuti’s nomination to the Rock and Roll Hall of Fame earlier this year, and how Americans and West Europeans get weirdly isolationist when it comes to music – really, that’s not our best look – and it’ll be an interesting conversation a few years from now when Rock Hall starts naming songs. K-Pop groups. It’s going to happen, the flashback will be weird, and frankly none of that will matter because this song is always going to be a dance-pop banger. The internet has made our pop music less Euro-centric, and ultimately it is for the better.

“Driver’s License”, by Ryleigh Modig: Spencer’s teenager Ryleigh Modig didn’t make it to the finish line on “The Voice,” but thank goodness she fought. Her biggest impression was probably straight away with her cover of Olivia Rodrigo’s “Driver’s License”, which made good use of her excellent phrasing and her ability to convey emotion. But more specifically, it’s easy to forget that the songs that appear on “The Voice” hit iTunes almost immediately, inevitably making them one of the top-selling singles of any given week when the show airs. . The importance of TV singing competitions is a bit of a stretch, but they do have an impact, and if handled well, having singles as good as this can be a solid building block for a young artist’s career.

“MONTERO (Call me by your name)”, by Lil Nas X: If you take the overtly gay themes out of this song, it’s not much different from a lot of other pop numbers. There are some very sexualized themes, but that’s not unusual these days, and honestly, it’s really easy to get dewormed by this song. Yet the uproar was predictable and overwhelming. Of course, Lil Nas X is a provocative artist, and kindled the flames a bit with a very homoerotic clip featuring the artist having sex with the devil, and then there was a weird adventure selling shoes with blood in it, and & mldr; good yes. America rises quite easily and Lil Nas X has managed to make her artistic statement with flair. It’s still a good song.

“Agatha all the way”, by Kathryn Hahn: SPOILER ALERT for “WandaVision” to come, although really, by now most of those who care have understood the big reveal: that the witch Agatha Harkness, played by Hahn, had manipulated the protagonist, Wanda Maximoff, for its own profit. It wasn’t such a big surprise if you paid attention to it, but NOBODY expected the reveal to be in a ’60s TV series debut credits, let alone expected. let it be released on iTunes, let alone pull number 1, but it does, and it’s still a stupidly addicting piece of music, although I doubt it reads the same if you haven’t watched the series. Always: “And I killed Sparky too!” can be one of the best lines of the year, regardless of the medium.

“Born 2 Die”, by Prince: There is something strange when an artist takes a piece of work from beyond the grave, and we have a lot of that from Prince to look forward to: the man was prolific. “Born 2 Die,” however, on his posthumous album, “Welcome 2 America,” does a lot of what Prince has always done best: finding that place where sensuality and spirituality intersect. This album really showed his willingness to express his social conscience in a very conceptual way, and it works. It’s a great, soulful song on an album that gets better the more you spend time on it.

Visit this article online at and to listen to Victor D. Infante’s current 2021 playlist, “‘Gimme Shelter’: A Playlist From the Beginning of the End of the Apocalypse (Maybe) “. Follow the playlist on Spotify to see it evolve throughout the year.

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Native American tribe wants BU to change name of Myles Standish dormitory – NBC Boston Tue, 21 Sep 2021 19:41:20 +0000

A Native American tribe asks Boston University to change the name of a dormitory that honors Myles Standish, the pilgrim’s military leader.

The Massachusett Tribe in Ponkapoag say Myles Standish Hall should be renamed Wituwamat Memorial Hall after a prominent Native American figure was massacred along with other tribesmen by settlers from the Plymouth Colony in 1623.

Long celebrated by many as a New England folk hero, Myles Standish is remembered by the first peoples of this land for the extreme acts of violence he committed against their ancestors, says a recently launched online petition. to request the name change.

According to the history of the tribe, Standish and his men killed Wituwamat and other members of the Neponset Band from the Massachusett tribe because Standish suspected Wituwamat of plotting against the nascent English colony. Wituwamat was beheaded and his head displayed atop the Plymouth Colony meeting room as a warning.

Dr Philippe Copeland of the BU Center for Antiracist Research says he has mixed emotions following the Derek Chauvin trial verdict, but that we can take this as an opportunity to talk to our children and that it is never too early to start training moral muscles.

The online petition also contends that Standish has no connection with the university or the stately Back Bay area where the dormitory is located. Instead, the dorm takes its name from the building’s origin as the Myles Standish Hotel.

Built in 1925, this elegant brick hotel was located just steps from the Charles River and Fenway Park, home of the Boston Red Sox. It was bought by the university in 1949 and converted into dormitories.

Spokesmen for the university did not respond to an email seeking comment on Tuesday.

Travis Franks, postdoctoral associate at the university, argues in an editorial Tuesday for WBUR that changing the name of the dormitory is the next logical step for BU, which is committed to making its campus a “diverse, equitable and inclusive community” .

He says the university has made other laudable efforts, such as recognizing Indigenous Peoples Day as a university holiday, but notes that Indigenous students, staff and faculty remain “significantly under-represented” on the campus.

“It is therefore imperative that the university partner with the Massachusetts tribe in Ponkapoag and honor their wishes by making Wituwamat Memorial Hall a reality,” Franks writes. “As the first building encountered by many visitors to campus, WMH would be a powerful symbol of the university’s commitment to continuously evolve to reflect its core values.”

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Mexico City band Zoé breaks rock’n’roll divide Tue, 21 Sep 2021 05:14:58 +0000

Mexican rock band Zoe

Photo: Courtesy

When Spanish-speaking rock groups from Latin America tour the United States, they usually headliner their own shows or share the bill with other performing groups. rock in spanish. They don’t normally roam the country with an English-speaking rock band at the same level of popularity, drawing crowds from across the cultural chasm that previously may have been only vaguely aware of each other.

But that’s exactly what the guys from Mexico City Quintet Zoe – a band formed in 1994 and now a hit band on their own turf – did in 2019 when they hit the road with English-speaking indie-rock bands. by Toronto Metric and July Talk. for a 27-city tour that included a show at the Revention Music Center in Houston (now the Bayou Music Center). The group – consisting of singer / guitarist Léon Larregui, guitarist Sergio Acosta, keyboardist Jesus Baez, bassist Angel Mosqueda and drummer Rodrigo Guardiola – have also performed at festivals such as Austin City Limits and Coachella, further expanding the reach. musical from his brand of alt-rock reminiscent of bands like Phoenix and The Cure.

For Acosta, it’s just common sense. “It was something we were trying to achieve years ago,” he said recently by phone. “Because we said to ourselves that it would be interesting to share audiences with a group that has equivalent ticket sales, so not necessarily an opening for a large Anglo group. But just find a band that we like and we could split the audience and do this double bill. It was presented to several groups – I’m not sure which exactly – and Metric was the one who responded very positively. It was awesome, man. It was definitely one of my favorite tours.

MEXICO CITY – OCTOBER 05: Musician Sergio Acosta of band Zoe performs during the Zoe MTV Unplugged at Estudios Churubusco on October 5, 2010 in Mexico City, Mexico.

Photo: Photo by Victor Chavez / WireImage, Contributor / WireImage

The reaction from Metric fans has been overwhelmingly positive. “Some cities were more filled with Zoe fans, less metric and some cities it was the opposite,” he continued. “And these towns, I was like scrutinizing the crowd and I could see that some gringos were happy with the show and participating in it. And this tour that we’re doing (now), I’ve seen more (non-Latino). I liked it. There should be more like this, not just to stick to your Latin market.

The group – which Acosta says was influenced by bands like The Cure, Pink Floyd, Stone Roses, Talking Heads and The Smiths as well as Latin American bands like Fobia and Soda Stereo when they debuted – even recorded a few tracks in English over the years. “It was basically Leon’s call. Some songs, he said, came more naturally in English, ”Acosta says. “They were never meant to be single or trying to crossover.”

The current tour, which features five shows in Texas including Houston’s House of Blues on September 23 and the Aztec Theater in San Antonio on September 25, does not feature a popular English-speaking group on the bill. But this follows another experience: working with British-born American producer Craig Silvey on the most recent album, “Sonidos de Karmática Resonancia” (Sounds of Karmatic Resonance), influenced by the 80s.

Silvey, best known for overseeing albums for The National, Arcade Fire, Florence + The Machine, Arctic Monkeys and REM, replaced Phil Vinall, who had been producing Zoe since the early 2000s. Silvey mixed the band’s previous album, “Aztlán” in 2018 and Acosta was impressed. He decided it was time to try something new as the last project approached and convinced the rest of the group to make the switch.

AUSTIN, TX – OCTOBER 11: Sergio Acosta (L) and León Larregui de Zoe perform in concert during the Austin City Limits Music Festival at Zilker Park on October 11, 2014 in Austin, Texas.

Photo: Photo by Gary Miller / FilmMagic, Contributor / FilmMagic

“I really wanted to change. Phil was very important to us. He was a teacher for many, many years for many albums together, ”explains Acosta, who goes on to say that working with Vinall had become very stereotypical. “It was very computer driven, and I really wanted to go more into the organic and live side of the recording approach. And he was (saying), ‘No, I don’t think you can do that.’ And I was, ‘What? Why not?’ … (With Craig) it was a different process. It was faster. … This album was recorded almost entirely live. All of the songs had four, five, or six people playing at the same time.

But the registration process featured an unexpected guest: the pandemic. Even so, Acosta says he brought a silver lining with him. “Because we had more time to review a few songs that we maybe weren’t so sure about,” he says. “Leon and I live in Barcelona so we worked on a few songs and sent them back to the guys in Mexico. And then when we got together eight or seven months later, we finished (the songs). … In that sense, it was good for the album. We never considered recording remotely. We had to be in the same room.

The tour concludes on October 3 with Zoe’s biggest headlining show in the US at the Greek Theater in Los Angeles, with a capacity of 6,000, showing the group rising to the level of other Mexican rock exports like Maná and Café Tacuba playing major. rock venues in the United States

“We’ve been going to the United States for so many years… but in the end it paid off,” Acosta says. “It’s also nice to see that the Latin crowds are (larger), it’s not just Mexicans. This New York and Miami show were good examples of this mix of Latins – and some (non-Latin Americans) as well. “

  • Cary Darling

    Cary Darling joined the Houston Chronicle in 2017 where he writes on arts, entertainment, and pop culture, with an emphasis on film and media. A native of Los Angeles and a graduate of Loyola Marymount University, he has served as a reporter or editor at the Orange County Register, the Miami Herald, and the Fort Worth Star-Telegram. In addition, he has worked as a freelance writer for a number of publications including the Los Angeles Times and the Dallas Morning News.

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At 75, the Ojai Music Festival remains focused on the future Mon, 20 Sep 2021 20:07:43 +0000

OJAI, Calif .– The return is a process. It is rarely linear.

The Ojai Music Festival, for example, returned September 16-19 to celebrate its 75th anniversary after a long pandemic absence. But there have been setbacks among the returns. Compromises were made to accommodate her move from spring to the last days of summer. An artist has been detained in Spain by travel restrictions. Diligently enforced security measures have slightly hardened the mood of this historic event, a harsh yet relaxing haven for contemporary music nestled in an idyllic valley of deadpan mysticism and sweet Pixie tangerines.

This edition of the festival is the first under the leadership of Ara Guzelimian, back at the helm after a race in the 1990s. Each year, the person in his position organizes the programming with a new musical director; for Guzelimian’s debut, he chose composer John Adams, the paterfamilias of American classical music, who just happens to be born in the year of the first festival. Uninterested in a retrospective for this milestone anniversary, they presented their concerts as a prospective survey of young artists, which befits a festival that has long focused on the future.

But in music, the past, present and future always inform each other. Bach and Beethoven haunted new and recent works; pianist Vikingur Olafsson treated Mozart, as he likes to say, as if the ink had just dried on the sheet music. There is no future without looking back.